Night Beats Danny Lee Blackwell Gear By Temple Rose Night Beats guitarist Danny Lee Blackwell tears it up with a psychedelic blend of R&B and rock. He achieves these amazing sounds through dedicated technique and inspired song writing. Unlike many guitarists in the psychedelic rock scene Night Beats has a stripped down set-up using just... Continue Reading →
What struck me immediately was how it preserved and even enhanced the dynamic of my playing and preserved the tonality of my guitar and amp while adding richness and sustain. Palm muting created rich ballsy low-end thump that I had never gotten out of my rig before.
Ripley Johnson of Moon Duo and Wooden Shijps is a master of psychedelic and space rock guitar. His incredible tones require expert blending of effects pedals and guitar stylings. The most impressive and distinctive sounds are on Moon Duo Occult Architecture Vol. 1 and Moon Duo Occult Architecture Vol. 2. The precision use of delay,... Continue Reading →
"The Deluxe Memory Man is a legendary analogue delay and a powerful creative tool with hundreds of possibilities which are easy to access."
Wren and Cuff Tall Font Russian is filled with growl, raunchiness, and endless horizon of musicality. Powerful enough for single coil and humbucking guitar pickups and bass. Enclosed in a small green box with knobs for volume, distortion and tone. If you want fuzz, distorted overdrive or all out signal destruction this will hit the sweet... Continue Reading →
Episode 1: Space Features Wisconsin's own Jaime Hansen (The Ronald Raygun) and Matt Haapala (The Ronald Raygun, The Heart Pills, Pit Wagon) and Mike Noyce (Bon Iver). Dwarfcraft Devices makes expansive FX pedals that goes where no pedals have gone before. Freshly baked in Minneapolis, MN featuring the Necromancer, Gears, and Happiness. http://www.dwarfcraft.com Pure... Continue Reading →
Death By Audio Fuzz War The Fuzz War is a gnarly fuzz pedal which can blow your speakers. Housed in a thick metal container with black and white cover design and three knobs for tone, fuzz and volume. The fuzz itself is robust and maintains a heavy biased gating throughout its range. Setting the fuzz to... Continue Reading →